Win, Place or Show clip 1998, 1.6 MB, 47 sec.Two men are having a discussion in a small apartment. Win, Place or Show (clip) (1998, 1.6 MB, 47 sec.) This book focuses on two works, Stan Douglas's Win, Place, or Show and Douglas Gordon's left is right and right is wrong and left is wrong and right is right, which comprised the exhibition.. View details Recently, Douglas has moved to photographic works which do not depict the history of the site of the narrative in an installation but rather are used as a contrast to a different work. Stan. We Asked 14 More Art-World Heavyweights. View for sale listing photos, sold history, nearby sales, and use our match filters to find your perfect home in Douglas County, WA. 1998. Over 10 million scientific documents at your fingertips. Features a room in an apartment occupied by two men. So what you have is my image not quite synching up or relating to a very archetypal black figure, Robert Johnson. Stan Douglas was the recipient of the 2016 Hasselblad Foundation International Award in Photography.In celebration of the honor, an exhibition of Douglas's work was presented at the Hasselblad Foundation, Gothenburg, Sweden. "[13], A key element in a number of Douglas' installations is the use of time and in particular, an investigation into slowed-down time or stillness. Stan Douglas presents a work entitled Win, Place or Show, which takes as its point of departure a fundamental transformation in the organization of North American civic space in the 1960s. Video still from Stan Douglas, Win, Place or Show (1998). Triggered by punctuations on the piano scroll, images of an empty textile factory are projected above the piano. The perforated scrolls that were used to programme weaving into fabric patterns, echo the player piano scrolls. This piece is constructed as an infinitely-looping counterfactual narrative, set in a modernist social-housing unit in late-1960s Vancouver that was never in fact built. The artworks are redolent with allusions to the … This is a preview of subscription content. Art21 is a celebrated global leader in presenting thought-provoking and sophisticated content about contemporary art, and the go-to place to learn first-hand from the artists of our time. [17], Luanda-Kinshasa runs for more than six hours. Two-channel video installation, colour, sound, 204,023 variations with an average duration of 6 min. Two men are having a discussion in a small apartment. McClellan was well liked by his men, but his reticence to attack the Confederacy with the full force of his army put him at odds with President Abraham Lincoln. Douglas' use of photography has a different purpose than others in the Vancouver School. Win, Place or Show Stan Douglas Art Funded 2000 Vendor David Zwirner. Directed by Stan Douglas. ", "Gleaning the Future from the Gallery Floor. The 1870s to the start of World War I, the period when African American educator Booker T. Washington was gaining prominence, was also a difficult time for African Americans. In a lecture given at YYZ Artists' Outlet in Toronto, Douglas commented that the choice of a blues song was. Stan Douglas' 1998 video installation Win, Place or Show is shot in the style of the late-1960s CBC drama The Client, noted for its gritty style, long takes and lack of establishing shots. Douglas's installation consists of a 16mm projection with a photographic series of contemporary Havana, Cuba. Cite as. Slide projection for 120 black-and-white slides, one music roll. [13] In a great deal of Douglas' works, class rather than race is the key element. Jäger, Joachim, Gabriele Knapstein, Stan Douglas and Anette Husch. A white man passes a second man who is black, calling out to him "Gary?" Payment. Stan Douglas (born October 11, 1960) is an artist based in Vancouver, British Columbia. Onomatopoeia, 1985-1986 . In his film, Douglas deliberately disrupts convention, exposing how television and film try to retain the sense of reality by imposing an invisible 'proscenium' on the … In 1862, McClellans Peninsula Campaign unraveled after the Seven Days Battles, and he also failed to decisively defeat Robert E. Lees Confederate A… The soundtrack consists of Vancouver writer Gerald Creede reading Douglas's reworking of various sentences taken from the opening section of Marcel Proust's A la recherche de temps perdu. [35] These short narratives, set in bleak suburban locations, mimic television's editing techniques, with plots dealing often mundane situations and with a slight twist at the end. He works with not just photography and video, but film and television as well and his photography often addresses the history of the location of one of his installations and as well, the creation of those installations themselves. 4. The installation Overture (1986) uses footage of a train journey through the Rocky Mountains shot between 1899 and 1901. Stan Douglas presents a work entitled Win, Place or Show, which takes as its point of departure a fundamental transformation in the organization of North American civic space in the 1960s. © 2020 Springer Nature Switzerland AG. Kunstverein Stuttgart: Stan Douglas - Werke", "The Power Plant - Stan Douglas: Entertainment - 2011-2012 - Exhibitions – The Power Plant Contemporary Art Gallery – Harbourfront Centre", "Exhibition: New Pictures 7: Stan Douglas: Then and Now — Minneapolis Institute of Art", "Acclaimed artist Stan Douglas has first solo exhibition in Ireland at IMMA", "Stan Douglas wins $50,000 Scotiabank Photo Award", "Hasselblad Foundation - Hasselblad Award Winner", "Vancouver Artist Stan Douglas Wins $100,000 Audain Prize", "The Aesthetics of the Ambient Video Experience. The aim is to describe the things that, as in the case of Stan Douglas’ above-mentioned work, ideally are not the object of observation, but rather functional elements of its effect. Writer Lisa Coulthard discusses Douglas' concern for this collapsing of boundaries in the essay "Uncanny Memories: Stan Douglas, Subjectivity and Cinema" stating that "although predominantly approached within the purview of fine arts, Douglas's work invites interrogation from film studies insofar as it not only utilizes the medium but also actively modifies and references the canonical texts, orientations and histories of cinema."[13]. This study focuses on a single work within the oeuvre of the Canadian artist Stan Douglas, the two-channel video installation Win, Place or Show (1998). Douglas' work reflects the technical and social aspects of mass media, and since the late 1980s has been influenced by the work of Samuel Beckett. [22], As a Vancouver artist getting his start in the 1980s and using lens-based media, Stan Douglas is often associated with the Vancouver School of photoconceptualism. A two-channel video in which the film's protagonists, Donny and Bob, talk, argue and fight in an endless loop that plays out over and over in an ever-shifting and altering array of combinations. Two adjacent projection surfaces create a one-screen optical effect. Stan Douglas «Monodramas» Douglas’s «Monodramas,» ten 30- to 60-second videos from 1991, conceived as interventions into commercial television, interrupted the usual flow of advertising and entertainment when broadcast nightly in British Columbia for three weeks in 1992. One can almost sense the craning neck of the filmmaker. [27] In 1991, Douglas produced Monodramas a series of short videos for television broadcasting, based on his studies of Beckett's teleplays. Stan Douglas (Canadian, born October 11, 1960) is an installation photographer and artist associated with the Vancouver School. This service is more advanced with JavaScript available, »Present Continuous Past(s)« Win, Place or Show Stan Douglas Art Funded 2000 Vendor David Zwirner. This photographic triptych is directly related to Douglas's video installation Win, Place or Show (Tate T07700) and the group of photographs, Strathcona Series (Tate P78414-P78421), and can be displayed alongside these works. Since the late 1980s, Stan Douglas has created films, photographs, and installations that reexamine particular locations or past events. Wagner's analysis of Douglas' "Monodramas" and "Win, Place or Show" focuses on relations between urban planning/architecture in Vancouver and the economic aspects of media. Two-channel video projection, 6 min. Two men share a dormitory room on a rainy day off from their blue-collar jobs. Stan Douglas, »Win, Place or Show«, 1998, two-channel video projection, four-channel soundtrack, 204,023 variations with an average duration of six minutes each, dimensions variable, Edition of two. Still from Win, Place or Show, 1998 . [15], Although race as a theme is often not a central or obvious concern of Douglas, his own identity as a Black-Canadian is often addressed through his use of music and in particular, musical idioms associated with African-American culture, such as blues and jazz. Stan Douglas, »Win, Place or Show«, 1998, two-channel video projection, four-channel soundtrack, 204,023 variations with an average duration of six minutes each, dimensions variable, Edition of two. Dimensions variable. Double Vision presents two of the most talked about video artists on the contemporary scene: Stan Douglas and Douglas Gordon. Provenance. [13] Installations such as Win, Place or Show are often complemented by large-scale photographs taken of the film set, showing behind-the-scenes. Stan Douglas «Television Spots» Produced between 1987 and 1988, the «Television Spots» are exactly what they claim to be: these twelve, short video sequences were originally planned as inserts within the regular advertisements on Canada’s private television network. 3 wind machines (2 lp/ 1 diesel) Minimum 24 hr notice to show. Douglas was chosen to represent Canada in the 2021 Venice Biennale. Info about a 2007-08 exhibition: "Stan Douglas: Past Imperfect" National Art Databases and Museum Inventories: Art Fund for UK Museums Win, Place or Show, 1998 Art Market: (e.g. The exhibition was his first in the country and featured new abstract works, as well as an overview of past series and key iconic photographs. Slide projection for 120 black-and-white slides, one music roll. [43], The National Gallery of Canada chose Douglas to represent Canada in the 2021 Venice Biennale. Art World What Is the Art Exhibition of Your Dreams? Set in 1950s Vancouver in the Strathcona redevelopment, the installation explores the modernist notion of urban renewal with the demolition of existing architecture in favour of grids of apartment blocks. A nonprofit organization, Art21’s mission is to inspire a more creative world through the works and words of contemporary artists. Split screens are used, one of which runs at a a slightly slower pace. With Peter LaCroix, Barry W. Levy. "[26] Douglas updates the office. [23] Although Douglas plants subtle period details in clothes, wall posters and cigarette brands, all attention is on the band — which includes among its 10 instrumentalists the Senegalese drummer Abdou Mboup, the Indian tabla player Nitin Mitta, and the American drummer Kimberly Thompson — and on the music being made. ... Stan Douglas. [42] The photographs accompanied the installation Journey into Fear (also 2001), which is based on Norman Foster's 1942 war-time thriller of the same name and its remake, shot in Vancouver in 1975 and directed by Daniel Mann. [5][6] Also of concern is both modernism as a theoretical concept[7] and modernity as it has affected North American urbanism since World War II. Dimensions variable Stan Douglas. Download preview PDF. On one side is the "broadcast" version, a montage taken from two cameras, what would be chosen to be transmitted to the home audience. [17], Douglas' use of jazz is a more direct response to complex attitudes towards African-American music. 4. Set in 1950s Vancouver in the Strathcona redevelopment, the installation explores the modernist notion of urban renewal with the demolition of existing architecture in favour of grids of apartment blocks. "[46], Milroy, "These artists know how to rock", p. R5, Milroy, "These artists know how to rock", p. R6, Brockington, "Logical Anonymity: Lorna Simpson, Steve Mcqueen, Stan Douglas", Krajewsk, "Stan Douglas, 15 September 2007 — 6 January 2008, Staatsgalerie & Wurttembergischer", Milroy, "These artists know how to rock", p. R7, Eccles, "Stan Douglas at David Zwirner, New York, New York", Kernan, "Stan Douglas and Douglas Gordon. "[13] His works reference the originals but also distance the newer works through manipulation of the texts, often employing loops and editing techniques to "defamiliarize" the originals[13], Subject to a Film: Marnie is a re-creation of the robbery scene from Hitchcock's 1964 film. New York", p. 260, Walls, "Stan Douglas's performance of contested space in Vancouver's Downtown Eastside", p. 1, Memorias del subdesarrollo (Memories of Underdevelopment), "Stan Douglas to Represent Canada at the 2021 Venice Biennale", Stan Douglas wins Bell Award in Video Art, "Open access journal for Film and Television Studies", Media Art Net | Douglas, Stan: Monodramas, "Stan Douglas YYZ Lecture January 9, 1989", "Media Art Net - Douglas, Stan: Monodramas", "Gleaning the Future from the Gallery Floor", "NFB's Circa 1948 project at Tribeca Film Festival", "Vancouver artist Stan Douglas to represent Canada at 2021 Venice Biennale", "Württ. Douglas was born in Vancouver, where he currently lives and works in Vancouver British. Time is a continuous element in his works often take their points of departure in local settings, which. Histories to broader social movements of struggle and utopian aspiration and realities s structure suggested possibility! 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